You Start At The Top and Go Straight Down

Crouching beside a low table, and folded like a leaflet,
I help five year olds to write the alphabet.
Charlotte points her pencil: “ What’s that on your finger?”
“Something must have bitten me in the garden,” I say.
“Ugh.” She shrinks away.

Maggie asks, “Why is the skin see -through around your eyes?”
“Like very screwed up tissue paper,” adds Alice.
“Like I blew my nose on it,”  says Jason S.
Their upholstered, velvet skin is so unmarked,
The eyes, nostrils and lips seem to pop out of it, surprised.

I say, “You start your ‘I’ letter from the top and go down,
Not from the bottom up. I will show you. Again.”
They stare in horror at my knuckle bulges,  at how the grey veins
On my hand, swollen and uprisen  like worms on a brick path after rain,
Cross three bone bridges before disappearing.

“Is that a wedding ring?” asks Leo.
“Did someone give you that?” asks Aiden.
“Concentrate. You start at the top and go straight down,” I say.
“Do we have to do this?” asks Jaden.
“Everyone has to,” I say.  “And everyone does it this way.”
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The eye surgeon eats an avocado

[I’m undergoing my fourth corneal transplant tomorrow so here’s a humorous poem to lighten the atmosphere…]

 

On his lunch break he slices an avocado in two.
Holding the half that cradles the round brown stone.
He enjoys the way the firm green flesh
Curls into the bowl of his silver spoon.
He guides the spoon around the brown stone
Which is soon  balanced on the tiniest green plinth.
With tongs he then extracts the stone.
He enjoys swallowing the last  green spoonful.
Now it is time for two surgeries:
One full thickness transplantation of cornea,
One extracapsular extraction of crystalline lens
And insertion of artificial one. Easy!

Later, he will enjoy going home , re-reading Freud
And feeding his child an egg, soft boiled.
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In the Distance

The only people who position themselves to watch
A view all day are pensioners and bosses.
The boss in his 20 storey tower,
His swivel chair and plate glass.
The old man on the sagging verandah.
They both sit.  They both stare.

How far can your stare take you from your cares?
Whether  it be the city traffic,
The desert sand, or the blank ocean,
The watchers wait to see change beyond their causing.
It’s the view’s stretch that matters.

The boss wants  to be surprised
Away from the routine  of his day,
From the predictable exercise  of power,
The way his people slide away.
Today it’s maybe a wave’s rubbery slope,
The whale’s tail folding then gone,
Like the flap of a damp envelope.

The pensioner sees through his telescope
Straddle carriers loading container ships,
And the eagle circling its  kill as twilight slips.
He waits and watches through cloudy eyes
For what will come from far skies, soon.
He looks because he doesn’t want surprise.
He says that’s all he hopes.
*

Moving On

She’s driving south in  a tiny hatchback
Full of boxes and two violins.
I wish I’d  taken a photo.
Every wheel turn, every road turn,
Takes her from the chuckling harbours,
Generous flat land, draped volcanoes
And the wide-open welcoming trees.
I bet the car’s swallowing the road’s white lines
Like a Waitemata snapper catching piper fish.

Shared Auckland moments will become for her,
Like carousel horses that curve away, vanish,
To return another time maybe up, maybe down.
Non-living, complete, unchanging.
Memory turns Time into re-visitable Space
Where photographs can act as road signs.
But she’s too young to use the rear view mirror
And I never saw her take a photo.
1978 Honda Civic CVCC hatchback First Generation 5 speed 1

Mission Bay in July

Discrete clouds, long and low, pose as though for an art class.
We are sitting on a sea wall, at the end of a winter day,
Admiring brave teens swimming at Mission Bay

We shiver in our bulky clothes and see
Babies wheeled along in a blanket-piled pram
And a girl in sequinned shorts pose for Instagram.

We promise to not argue anymore.
Slow dogs, heavy eyed with responsibility,
Guide their couples round the bole of a pohutukawa tree.

You smile up at Rangitoto. I prepare to take a photo
Just as a cloud skylight opens and  throws its glow cone
On those teen swimmers in the golden sea below.

We now hope the volcano ‘s arms are wide enough
For us to be embraced, hugged snug,
Inside his warm green polar fleece.
We have made out peace.

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Music of the Spheres

At dawn the toddler’s fat fingers reach toward a ball
That plays music as it tumbles around her,
And my phone alarm  sings a dawn chorus to me.
I turn it off and get up for the toddler
Who is crying because the ball,’s rolled away.

Starting in the East birds sing at every point
Where sunlight awakens our tumbling globe.
As each longitude line is lit different birds
Sing different dawn songs on musical earth.

The giants above like to roll our sphere
Because they love to hear the birds’ dawn songs.
What will they do  when no birds sing anymore?
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Sonnet of Descent

We are between floors.There are no windows.
A finite space. Clear boundaries. No surprises.
We look in the direction of travel
Though we have no control of our descent.
Whose face do those green sparkling heels belong to?
I think of Jonah in his whale, How at first
It must have been like entering a cathedral at dusk
But when the whale sounded, how like this plummeting lift.

Knees brace discretely. Men spread their feet.
Those green heels wobble. We stop.  Door glides open.
Dante or Milton may have called it Hell, the barrier
Of bulging  briefcases and Lego  faces waiting there,
Inert, to ascend. Those heels tap. Someone pushes.
Every second counts. Goodbye Jonah.  This is lunchtime.

*

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